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RAFFAELLO Sanzio Sao Joao Batista Date ca. 1518(1518)
Medium Oil on canvas
Dimensions Height: 165 cm (65 in). Width: 147 cm (57.9 in).
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RAFFAELLO Sanzio The presentation in the temple Date between 1502(1502) and 1503(1503)
Medium Deutsch: Öltempera auf Holz, auf Leinwand xbertragen.
English: Tempera grassa (egg-oil) on canvas.
Español: Óleo sobre lienzo.
Français : Tempera grassa (xmulsion x lxœuf et x lxhuile) sur bois transfxrxe sur toile.
Italiano: Tempera grassa su tavola trasportata su tela.
Dimensions Height: 27 cm (10.6 in). Width: 50 cm (19.7 in).
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RAFFAELLO Sanzio St Sebastian Date between 1501(1501) and 1502(1502)
Medium Oil on wood
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RAFFAELLO Sanzio The Holy Family Date 1518(1518)
Medium Oil on canvas transferred from wood
Dimensions Height: 207 cm (81.5 in). Width: 140 cm (55.1 in).
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RAFFAELLO Sanzio Portrat einer jungen Frau between 1518(1518) and 1519(1519)
Medium Oil on wood
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RAFFAELLO Sanzio The annunciation Date between 1502(1502) and 1503(1503)
Medium Deutsch: Öltempera auf Holz, auf Leinwand xbertragen.
English: Tempera grassa (egg-oil) on canvas.
Español: Óleo sobre lienzo.
Français : Tempera grassa (xmulsion x lxœuf et x lxhuile) sur bois transfxrxe sur toile.
Italiano: Tempera grassa su tavola trasportata su tela.
Dimensions Height: 27 cm (10.6 in). Width: 50 cm (19.7 in).
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RAFFAELLO Sanzio Madonna della Seggiola 1514(1514)
Medium Oil on wood
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RAFFAELLO Sanzio Angel Date 1500-1501
Medium Oil on wood
Dimensions 57 x 36 cm (22.4 x 14.2 in)
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RAFFAELLO Sanzio The Crowning of the Virgin Date between 1502(1502) and 1503(1503)
Medium Oil on canvas, transferred from panel
Dimensions Height: 267 cm (105.1 in). Width: 163 cm (64.2 in).
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RAFFAELLO Sanzio Portrait of Dona Isabel de Requesens, Vice-Queen of Naples Date 1518(1518)
Medium Oil on wood transferred to canvas
Dimensions Height: 120 cm (47.2 in). Width: 95 cm (37.4 in).
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RAFFAELLO Sanzio Madonna with the Fish Date between 1512(1512) and 1514(1514)
Medium Oil on canvas transferred from wood
Dimensions Height: 215 cm (84.6 in). Width: 158 cm (62.2 in).
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RAFFAELLO Sanzio Madonna and Child between 1504(1504) and 1505(1505)
Medium Oil on wood
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RAFFAELLO Sanzio Colonna Madonna 1508(1508)
Medium Oil on wood
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RAFFAELLO Sanzio Madonna and Child 1508(1508)
Medium Oil on wood
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RAFFAELLO Sanzio Madonna of Belvedere 1506(1506)
Medium Oil on wood
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RAFFAELLO Sanzio Aldobrandini Madonna 1510(1510)
Medium Oil on wood
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RAFFAELLO Sanzio The Granduca Madonna 1504(1504)
Medium Oil on wood
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RAFFAELLO Sanzio Georg im Kampf mit dem Drachen 1505(1505)
Medium Oil on wood
Dimensions Deutsch: 31 x 27 cm
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RAFFAELLO Sanzio Bridgewater Madonna 1507(1507)
Medium Oil on canvas transferred from panel
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RAFFAELLO Sanzio ritratto virile della galleria borghese Oil on canvas
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RAFFAELLO Sanzio
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Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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